| Year | Publication |
|---|
| (2013) | University College Cork: War in the Visual Arts: An International, Interdisciplinary Conference, Sabine T. Kriebel (2013) Plenary Lecture: Prophetic Mourning: John Heartfield's Antifascist Imaginary. [Plenary Lecture], University College Cork: War in the Visual Arts: An International, Interdisciplinary Conference, University College Cork/Crawford Art Gallery , 12-SEP-13 - 21-SEP-13. [Details] |
| (2013) | College Art Association Annual Conference, Sabine T. Kriebel; Andres Mario Zervigon (2013) Co-chairs: Photography in Doubt, Parts I&II. [Conference Organising Committee Member], College Art Association Annual Conference, New York City, U.S.A , 13-FEB-13 - 16-FEB-13. [Details] |
| (2013) | War in the Visual Arts, Sabine T. Kriebel (2013) Panel Chair: Documentary Photography and Reportage. [Other], War in the Visual Arts, University College Cork , 13-SEP-13 - 13-SEP-13. [Details] |
| (2012) | University College Cork: Michelangelo Antonioni Centenary Workship, Sabine Kriebel, Matilde Nardelli (2012) Antonioni's Photographic Counter-Consciousness: A Response to Matilde Nardelli. [Invited Lectures (Workshops)], University College Cork: Michelangelo Antonioni Centenary Workship, University College Cork , 24-JAN-12 - 24-JAN-12. [Details] |
| (2012) | Princeton University: Objects of Affection: Towards a Materiology of Emotions, Sabine Kriebel (2012) Left-Wing Laughter: John Heartfield's Mischievous Communist Subject. [Oral Presentation], Princeton University: Objects of Affection: Towards a Materiology of Emotions, Princeton University; Princeton Institute for International and Regional Studies; Program in Russian and Eurasian Studies , 04-MAY-12 - 06-MAY-12. [Details] |
| (2012) | Lewis Glucksman Gallery: Developing Pictures. One day symposium exploring the conditions of photography, Sabine Kriebel, Caroline von Courten (2012) The Photograph as Object. Discussion between Sabine Kriebel, History of Art, University College Cork, and Caroline von Courten, Managing Editor, Foam Magazine, Amsterdam. [Invited Oral Presentation], Lewis Glucksman Gallery: Developing Pictures. One day symposium exploring the conditions of photography, Lewis Glucksman Gallery, University College Cork , 25-FEB-12 - 25-FEB-12. [Details] |
| (2012) | Onderzoekschool Kunstgechiedenis: Contemporary Art’s Confrontation with the Monstrous, Sabine T. Kriebel (2012) “The Political Grotesque: Repulsion and the Monstrous in Interwar Montage,”. [Oral Presentation], Onderzoekschool Kunstgechiedenis: Contemporary Art’s Confrontation with the Monstrous, Onderzoekschool Kunstgechiedenis, Amsterdam , 04-DEC-12 - 05-DEC-12. [Details] |
| (2011) | National Galleries of Scotland, Edinburgh: August Sander and Weimar Germany, Sabine Kriebel (2011) Sander's Surfaces. [Invited Lectures (Conference)], National Galleries of Scotland, Edinburgh: August Sander and Weimar Germany, National Galleries of Scotland, Edinburgh , 13-MAY-11 - 13-MAY-11. [Details] |
| (2010) | AAH Annual Conference, University of Glasgow: Dada and Surrealism in Play, Sabine Kriebel (2010) “Left-wing Humour, or, Heartfield’s Holy Hate,”. [Oral Presentation], AAH Annual Conference, University of Glasgow: Dada and Surrealism in Play, AAH Annual Conference, University of Glasgow , 16-APR-10 - 16-APR-10. [Details] |
| (2010) | Kunsthochschule an der Johannes Gutenberg Universität, Mainz, Germany: Künstlerzeitschriften und ihre visuellen Strategien, Sabine Kriebel (2010) “Disgust and the AIZ: How John Heartfield Mobilized Laughter (and Photography) as a Political Weapon”. [Oral Presentation], Kunsthochschule an der Johannes Gutenberg Universität, Mainz, Germany: Künstlerzeitschriften und ihre visuellen Strategien, Kunsthochschule an der Johannes Gutenberg Universität, Mainz, Germany , 10-DEC-10 - 13-JAN-12. [Details] |
| (2009) | Art and the Memory of Revolution, 1789-1939, College Art Association Conference, Sabine Kriebel; (2009) The Revolutionary Future Anterior: John Heartfield¿s 1930s Photomontages. [Invited Lectures (Conference)], Art and the Memory of Revolution, 1789-1939, College Art Association Conference, Los Angeles, CA USA , 28-FEB-09 - 29-FEB-08. [Details] |
| (2009) | University of Sussex: Modernism, Cultural Exchange, and Transnationality, Sabine Kriebel; (2009) The Second Conference of the Modernist Magazines Project. [Invited Lectures (Conference)], University of Sussex: Modernism, Cultural Exchange, and Transnationality, University of Sussex , 13-JUL-09 - 15-JUL-09. [Details] |
| (2009) | John Heartfield und die Weimar Republik, Prof. Dr. Ursula Büttner (Forschungsstelle für Zeitgeschichte, Hamburg); Dr. Andrés Zervigón (Rutgers University, New Jersey); Freya Mühlhaupt, Curator, Berlinische Galerie, Thomas Friedrich, Independent Scholar; (2009) Heartfields AIZ Montagen. [Conference Organising Committee Chairperson], John Heartfield und die Weimar Republik, Berlinische Galerie, Berlin , 18-JUN-09 - 18-JUN-09. [Details] |
| (2008) | Word, Image and Censorship, 8th International Conference on Word and Image Studies: Efficacy / Efficacité, S.Kriebel; (2008) 'The more pictures they remove, the more visible becomes reality!' : John Heartfield and his Nazi Censors, Word and Image Conference. [Oral Presentation], Word, Image and Censorship, 8th International Conference on Word and Image Studies: Efficacy / Efficacité, Institut Nationale de l'Histoire de l'art, Paris, France , 07-JUL-08 - 11-JUL-08. [Details] |
| (2007) | Real Things: Matter, Materiality, Representation 1880 to the Present, S.Kriebel; (2007) The Politics of Ruptures and Sutures: John Heartfield's 1930s Photomontages. [Invited Lectures (Conference)], Real Things: Matter, Materiality, Representation 1880 to the Present, University of York, England , 07-JUL-07 - 07-JUL-07. [Details] |
| (2007) | Making Audiences, Creating Readers, S.Kriebel; (2007) Stop Reading, Look! Revolutionizing the Viewer in 1930s Germany, Making Audiences, Creating Readers Conference. [Oral Presentation], Making Audiences, Creating Readers, University College Cork , 17-APR-07 - 17-APR-07. [Details] |
| (2007) | Making Audiences, Creating Readers, Kriebel, SAbine; (2007) Panel Moderator. [Oral Presentation], Making Audiences, Creating Readers, University College Cork , 17-APR-07 - 30-DEC-99. [Details] |
| (2007) | Real Things: Matter, Materiality, Representation 1880 to the Present,, Kriebel, Sabine; (2007) Panel Moderator: Photography, Language, and Philosophy. [Other], Real Things: Matter, Materiality, Representation 1880 to the Present,, University of York, England , 05-JUL-07 - 08-JUL-07. [Details] |
| (2007) | Trockel's Beuys: A Troubled Inheritance, Association of Art Historians, S.Kriebel; (2007) Trockel's Beuys: A Troubled Inheritance, Association of Art Historians. [Oral Presentation], Trockel's Beuys: A Troubled Inheritance, Association of Art Historians, Belfast, Northern Ireland , 16-APR-07 - 16-APR-07. [Details] |
| | Description |
|---|
| Invited Discussant, “Left-Wing Laughter,” Revolution and Representation, 1918-1920, Workshop sponsored by DAAD and the Department of German, Rice University, Houston Texas, 11-12 November, 2011. |
| Invited Discussant, Berlin-Moscow 1913-1933, Harvard University, a Workshop sponsored by the Department of the History of Art and Architecture, April 2, 2011. |
| Invited Guest Lecture: Durham University: 'Photomontage in the Age of its Mechanical Reproducibility,' UK Centre for Advanced Photographic Study, 11 December 2008. |
| Exhibition Opening, Lavit Gallery, Cork: "Graphic Studios, Dublin," June 2, 2011, 8:00 p.m. |
| Exhibition Opening Presentation, Cork City Council and Cork County Arts Exhibition Space, Cork County Library: Tristan Hutchinson, "Took Strength to Tackle Those Hills," February 7, 2013, 1:30 p.m. |
| “Photomontage as Weapon,” University of Glasgow, Scotland, Department of Art History, February 2008 |
| “Photomontage in Zeitungsstadt Berlin,” New York University Summer Session, Berlin, 2008 |
| “Weimar Photography and Photomontage,” Rutgers University Summer Session in Berlin, 2010. |
| “Rosemarie Trockel’s Feminist Revisions,” Talbot-Rice Gallery, University of Edinburgh, 2011 EndFragment |
| Inaugural Lecture, Modernisms Research Centre, University College Cork, “Left-Wing Laughter,” |
| “Left-Wing Laughter: John Heartfield and the AIZ,” University of Glasgow, History of Art, 2012. |
| Public Lecture: “Eileen Gray and Photographic Portraits of the 1920s,” Irish Museum of Modern Art, 22 November 2013 |
| Public Lecture, Friends of the Crawford, "What is Surrealism?" 29 November 2013 |
| Public Lecture, Friends of the Crawford Gallery, "Photography and World War I" March 21 2014 |
| Book Launch, Our Lady of Controversy: Alma Lopez’s Irreverent Apparition, Alma Lopez and Alicia Gaspar de Alba, Centre for Mexican Studies, University College Cork, June 24, 2011 |